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This small book, which is rather a draft, comprises a collection of ideas, viewpoints and methods in various aspects of theater, performance arts, non-novel1 etc. If for no other reason, the ideas listed here at least can stimulate further thoughts and research – for instance, young writers may use these ideas to make his/her drama or novel more enthralling....

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• The best functions of the theatre are none! (but the theatre itself); • Fatal attraction theatre; • A personage has a man’s mask taped on his bottom which faces the spectators and “talks” like this; • On a cross is crucified a book, or a lamb, or a pork, other object (crucified with the legs up) [which should symbolize something]; • On stage, place some cosmic objects (for example make visible a part of the Earth, or a Lunar Base, …); • Theatre for deaf and mute people (with their International Sign Language); • Theatre for blind people (only sounds); • The difference between the place where the play is performed and the place where, in fact, it should be played. (Specify in the play: winter instead of summer, in the mountains instead of at the Sea, for example – as in paradoxism) ...

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PREFACE ................................................ 3 CONTENTS................................................ 5 STRATEGIES 1. Theatrical Strategies ................................................. 6 2. Literary Strategies ................................................... 25 3. Non Roman................................................ 59 3.1. Total Anti-Roman................................................ 59 3.2. Experimental Literature...................................... 76 3.3. The Supreme, Total Roman............................... 79 4. More Literary Strategies .......................................... 97 ...

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A collection of poetry relating to the author himself based on personal experiences.

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FATE IRONY before may I have been ”me” the fate was done from geometric signs Lobacevsky’s ones after my face but not looking like me in dropping of time...

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Meeting of minds: Florentin Smarandache, preface by Cezar Ivãnescu: 5 1) IN THE VICINITY OF VICINITY – cycle: 6 PIT OF WORDS: 7 FATE IRONY: 8 DEFEATED TREE: 9 THE YELLOW ROSE: 10 WHEN I LOOK AT YOU: 11 BROKEN MIRROR: 12 LEFT FLOWER AND GREEN: 13 GOOD MORNING: 14 NIGHT SPIRIT: 15 SOUL WITHOUT SOUL: 16 2) TOO LONG ROUTE AMONG THE FOREIGNERS (and I cannot turn back my sight anymore) – cycle: 17 PASSING THOUGHTS: 18 THE DEAF AND THE DUMB: 19 HEALING: 20 THE MIRROR: 21 A YOKE: 22 WHAT DO WE WANT?: 23 THE GREAT ARMY: 24 TEST AT GEOGRAPHY: 25 MYSELF LIKE A CONTRADICTION: 26 FIRST CLASS PLANE TICKET: 28 NOBODY: 33 HUNTING: 34 HOSPITALITY: 35 DESIRE: 36 WITHOUT CEREMONIES: 37 YES AND NO: 39 STRIP-TEASE: 40 OH, YES: 41 COURAGE: 42 RECIPROCITY: 43 PRAYER: 44 CONTENTMENT: 48 WISH: 49 ALONE IN THE CHRISTMAS NIGHT: 51 THE MATCHMAKERS: 57 THE END: 65 ADIEU: 66 3) POEMS FROM MY SOUL’S EXILE – cycle: 68 THE SHADOW OF AUROCHS: 69 EMIGRANT TO INFINITY: 70 THE COUNTRY AND ME: 71 THE SAP OF THE LIFE: 72 THORNY ROSE OF LOVE: 73 YOU ARE SO SINGLE ON THE EARTH…: 74 SYMPHONY IN WALNUT WOOD: 75 DON’T SET YOUR ...

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A critical study of Ovid's Metamorphoses hyper-linked to the preceding translation.

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I The Golden Honeycomb II The Dual Paths of Art III The Structure of the Metamorphoses IV Ovid’s Interest in Myth V Nature,The Matrix VI The Power of the Gods VII The Nature of the Male Gods VIII The Nature of the Goddess IX Justice, Moderation, Order and Rights X Anger, Vengeance and Destiny XI Magic and Prophecy XII Fate and Error XIII Lust, Love, Sexuality and Betrayal XIV Loyalty and Marriage XV Pride and Vanity XVI Respect and Impiety XVII Crime and Punishment XVIII Ovid’s attitude to War and Violence XIX Tenderness, Pity, Pathos and Regret XX Ovid’s Civilised Values, the Sacred Other XXI The Later Influence of the Metamorphoses XXII The Wings of Daedalus...

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French colonists on a planet ruled by reptiles and amphibians are forced to wear living “skins” that subdue aggression and enforce vegetarianism. As children, Rastignac and his reptile friend Mapfarity force themselves to become carnivores and begin a protein fueled journey that causes Rastignac to develop a Philosophy of Violence. When a spaceship from Earth crashes in the ocean, Rastignac and company must put their philosophy to the test. - Rastignac The Devil was first published in the May 1954 issue of Fantastic Universe Magazine. (Summary by Gregg Margarite)...

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Fantasy, Fiction, Science fiction

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Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman. The book describes an isolated society comprised entirely of Aryan women who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order, free of war, conflict and domination. It first appeared as a serial in Perkin's monthly magazine Forerunner . (Summary from Wikipedia)...

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Science fiction, Philosophy

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Etymologically, aphorism + floral = aph(L)orism, which is a short reflection written on a floral design, or a short poetry accompanied by an artistic background. They are colorful contemplations. Maximus in minimis (Lat.) means very much in very little [max in min], or condensed thought, or ideating essence. They are actually maxims, adages, sayings mostly in one line (uni-stich) with a title, as a metaphoric statement, a breathing momentum that oils our soul....

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Nonchalantly : The wind with its mantle steps lightly. Skin Condition : The Sun has spots too. At what time? When it rains, God cries. Atmosphere : Blue, as the sky dirtied by clouds. Bright : A balcony full of Sun. Natural disaster : The swans look drunk on the fetid lake. Surprisingly : The crow is a beautiful black. Elegant woman : A bird high on her legs. Most powerful chess piece : You are a queen but only in the dark. Medicinal plant : You’re a flower but amongst weeds. Force that attracts food : The stomach’s gravitation pulls me to food....

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Passion.......................................................................23 Worthless.....................................................................23 Tired of you....................................................................23 Tittle-tattle....................................................................23 Talk is cheep...................................................................24 Give the man what he doesn’t have.................................................24 Novel for (non) writers...........................................................24 Desolate......................................................................24 Did I have the pleasure...........................................................24 Sloppy work....................................................................25 Despicable.....................................................................25 Wanted.......................................................................25 Talking in vain..................................................................25 Use caplets.....................................................

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Reading bedtime stories to children can be a wonderful way to relax and at the same time act out the exciting things happening in the story for them. If you've done it, you know the feeling and if you haven't I can only hope that you were the rapt audience for such stories when a child. We can let ourselves go and perform all the parts with abandon because the only audience are those who unreservedly appreciate our thespian talents. These 25 stories are all original and all sparkling examples of Abby Walker's ability to spin a witty story that is fun to read and listen to. Don't you really want to know about The Good Sea Monster? The Shoemaker Rat or most of all, The Disorderly Girl? If not, you may go back to reading Kant with my blessing. (Summary by Phil Chenevert)...

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Children

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Excerpt: Chapter 1. The Foreigner At Home. ?This is no my ain house; I ken by the biggin? o?t.? Two recent books* one by Mr. Grant White on England, one on France by the diabolically clever Mr. Hillebrand, may well have set people thinking on the divisions of races and nations. Such thoughts should arise with particular congruity and force to inhabitants of that United Kingdom, peopled from so many different stocks, babbling so many different dialects, and offering in its extent such singular contrasts, from the busiest over-population to the unkindliest desert, from the Black Country to the Moor of Rannoch. It is not only when we cross the seas that we go abroad; there are foreign parts of England; and the race that has conquered so wide an empire has not yet managed to assimilate the islands whence she sprang. Ireland, Wales, and the Scottish mountains still cling, in part, to their old Gaelic speech. It was but the other day that English triumphed in Cornwall, and they still show in Mousehole, on St. Michael?s Bay, the house of the last Cornish-speaking woman. English itself, which will now frank the traveller through the most of...

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Contents CHAPTER I: THE FOREIGNER AT HOME ..................................................................................... 5 CHAPTER II: SOME COLLEGE MEMORIES................................................................................ 14 CHAPTER III: OLD MORTALITY .................................................................................................. 20 CHAPTER IV: A COLLEGE MAGAZINE ...................................................................................... 28 CHAPTER V: AN OLD SCOTCH GARDENER ............................................................................. 36 CHAPTER VI: PASTORAL .............................................................................................................. 41 CHAPTER VII: THE MANSE .......................................................................................................... 48 CHAPTER VIII: MEMOIRS OF AN ISLET .................................................................................... 53 CHAPTER IX: THOMAS STEVENSON ? CIVIL ENGINEER...................................................... 58 CHAPTER X: TALK AND TALKERS ....................

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Frederick Elliot is a student at early 20th century Cambridge, a university that seems like paradise to him, amongst bright if cynical companions, when he receives a visit from two friends, an engaged young woman, Agnes Pembroke, and her older brother, Herbert. The Pembrokes are Rickie’s only friends from home. An orphan who grew up living with cousins, he was sent to a public (boarding) school where he was shunned and bullied because of his lame foot, an inherited weakness, and frail body. Agnes, as it happens, is engaged to Gerald, now in the army, who was one of the sturdy youths who bullied Rickie at school. Rickie is not brilliant at argument, but he is intensely responsive to poetry and art, and is accepted within a circle of philosophical and intellectual fellow-students led by a brilliant but especially cynical aspiring philosopher, Stuart Ansell, who refuses, when he is introduced to her, even to acknowledge that Agnes exists. (from Wikipedia)...

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Literature

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The novel details the lives of three characters, first as children and then as adults - Waldo, Em and Lyndall - who live on a farm in the Karoo region of South Africa. The story is set in the middle- to late Nineteenth century - the First Boer War is alluded to, but not mentioned by name. The book is semi-autobiographical: in particular, the two principal protagonists (Waldo and Lyndall) display strong similarities to Schreiner's life and philosophy. The book was first published in 1883 in London, under the pseudonym Ralph Iron. It quickly became a best-seller, despite causing some controversy over its frank portrayal of freethought, feminism, premarital sex and pregnancy out of wedlock and transvestitism....

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Adventure, Fiction, Literature

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Few things, even in literature, can really be said to be unique — but Moby Dick is truly unlike anything written before or since. The novel is nominally about the obsessive hunt by the crazed Captain Ahab of the book’s eponymous white whale. But interspersed in that story are digressions, paradoxes, philosophical riffs on whaling and life, and a display of techniques so advanced for its time that some have referred to the 1851 Moby Dick as the first “modern” novel. (Summary by Stewart Wills)...

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Adventure, Sea stories

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Collections of original poetry in the mainstream European tradition.

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Wayfaring Parting A Dream Of The Sea Passage The Perfect Hour Shower Navigation Beyond In Which We Shine How Near New Muse Being Not Metaphor Without Raging Troubling The River-Bend Leavings The Mind-Muse Not Performance The In-Itself Outside Itself Anonymous Long After Nowhere To Flee Substance And The Void One Long Ridge Poetry Can Do Didactic Too In the Valley Why Be Lonely? Black Flowers Diamond Eye They See Through and Past You Terrestrial The Wall Gift Of The Ring-Makers The Error The Happy Traveller Desperations Fragments of Crystal White Air Passing Wasp Est-il Paradis? Be Free After The Climb Mist In The Meadow Ours To Do Slope By The River Light In The Air Grass Is An Institution Possibility The Burning Man Signs in the Stone Nothing Else Will Green Ways Listening to the Movement The Long Soft Sighing of the Tide The Lark in Eternity, the Hawk in Time Strange Self Almost a Clue Wind in the Poplar Naming the Names Lighter Mouth The Changelings Months Of Grace Mind What Is Solid Bright, You Rise Evening Hour Over-World Self Aside Thoughts In The Shade Forb...

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Collections of original poetry in the mainstream European tradition.

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I: The Depths Outside Goldcrest Fences Civilisation Doorway No Silence Un-Confessional Deer Inattention City Meditation Absence All Kinds Hill-Fort Whitethorn Earth-Flame That Strain, That Churning Un-Managed Alone Find Silence Going Owl-Cries II: The Citadel of Mind Ancestral Mapping Wilderness As Selves River Things The More And Less Mind-Clothes Every Child Intense Denial Hawk in Winter Abyss To Know Is Not To Feel Patience Not As It Seems Candle Transformation Moment Beauty Yearning III: The Sacred House Going Beyond Give After Them Open, More Open Life Is Coming From Cyllene Sacred House Tangles Cycle Few Sea Voices Not For Ever Others’ Hands Face to Face Over and Under Pupa Muse Mouth Refuge Involution Poetry For those IV: Values An Die Geliebte Values of Light Dark-Light Once Only Aspire Falling Back Blade of Tao Leaves Mercy Flute Falling Time Blind Truth Deneb, Great Star Deepening She Scorpius Work It Meta-Fear Naming Moon-Fog Index Of First Lines...

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A complete collection of the poetry of Edgar Allan Poe. Poe was born on January 19th in Boston, Massachusetts in 1809, and died in his adopted home of Baltimore, Maryland on October 7th, 1849, making him the first American writer in this series. The critical estimation of Poe’s work has increased dramatically over the course of my lifetime, which has been satisfying to observe, as he was for me—as I believe for so many lovers of literature—an early favorite, particularly because of his verse, which is rich with sonic texture and gothic subject matter: insanity, darkness, ghosts, death, etc. It is also quite manageable to read in its entirety at 75 poems depending on how many of those of questionable authorship or in various stages of completion one is willing to include in the official oeuvre. (In fact, it has been some time since I’ve heard the old familiar slight that his popularity in France during the 19th century was perhaps due to his writing gaining something of substance from Charles Baudelaire’s translations.) While perhaps not quite as dramatically prescient in new utterance, form or philosophical depth as Walt Whitman ...

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Annabel Lee It was many and many a year ago,     In a kingdom by the sea, That a maiden there lived whom you may know     By the name of Annabel Lee;— And this maiden she lived with no other thought     Than to love and be loved by me. She was a child and I was a child,     In this kingdom by the sea, But we loved with a love that was more than love—     I and my Annabel Lee— With a love that the wingéd seraphs of Heaven     Coveted her and me. And this was the reason that, long ago,     In this kingdom by the sea, A wind blew out of a cloud by night     Chilling my Annabel Lee; So that her highborn kinsmen came     And bore her away from me, To shut her up in a sepulchre     In this kingdom by the sea. The angels, not half so happy in Heaven,     Went envying her and me:— Yes!—that was the reason (as all men know,     In this kingdom by the sea) That the wind came out of the cloud, chilling     And killing my Annabel Lee. But our love it was stronger by far than the love     Of those who were older than we—     Of many far wiser than we— And neither the angels in Heaven above,     Nor the de...

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Contents Introduction Poetry Oh, Tempora! Oh, Mores! To Margaret To Octavia Tamerlane Song (I Saw Thee on Thy Bridal Day...) Dreams Spirits of the Dead Evening Star Imitation Stanzas (In Youth I Have Known One...) A Dream "The Happiest Day—The Happiest Hour" The Lake: To——— To——— (I Heed Not That My Earthly Lot...) Hymn to Aristogeiton and Harmodius Sonnet: To Science Al Aaraaf Romance To——— (Should My Early Life Seem...) To——— (The Bowers Whereat, in Dreams, I See...) To the River——— Fairy Land Alone To Isaac Lea Elizabeth Acrostic Lines on Joe Locke Introduction Fairy Land II To Helen (Helen, Thy Beauty Is to Me...) Israfel The Sleeper The Valley of Unrest The City in the Sea A Pæn To One in Paradise Hymn An Enigma Serenade To——— (Sleep On, Sleep On, Another Hour...) The Coliseum Fanny To Frances S. Osgood To F——— To Mary May Queen Ode Bridal Ballad Sonnet: To Zante The Haunted Palace Sonnet: Silence The Conqueror Worm Lenore Dream-Land Impromptu: To Kate Carol Eulalie Epigram for Wall Street The Raven To——— (I Would Not Lord It O’er Thy Heart...) The Divine Right ...

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A collection of the author's original poetry centered around the themes of spiritual search and individual identity in the modern world.

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Loose, Shifting Ghost Incantation Soul’s Mirror Trying To Make It Behind the Words Reflection No One Mind and Its Light Babel’s Tower Core Remains Word The Book Grave Goods Stranger You Build the Tower Birthing Your Image The Singing Here The Name River We Can Listen Writing Me I Entered Lances The Kingdom of Nothing Folded Rock In-form Me What We Have Wing of an Eyelid Breaking Down Weighing Benedico Poetry Not Till I Touch You Blue Eyes of The Sea Daedalian The Poem City The Net The Voice If I Had Known Where Are The Leaves? Orpheus Looking Back At Earth Index of First Lines...

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Two-hundred years after a global nuclear war, two explorers from a research outpost, that largely survived the cataclysm, discover a settlement of humans who have managed to maintain their civilisation despite ferocious cannibal neighbours, the Scowrers. However, the explorers must turn detective in order to understand the mystery of their hosts philosophy and religion. (Description by Reynard)...

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Science fiction

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Excerpt: ACT I. (SCENE.--DOCTOR WANGEL?S house, with a large verandah garden in front of and around the house. Under the verandah a flagstaff. In the garden an arbour, with table and chairs. Hedge, with small gate at the back. Beyond, a road along the seashore. An avenue of trees along the road. Between the trees are seen the fjord, high mountain ranges and peaks. A warm and brilliantly clear summer morning....

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Excerpt: War and Peace: Fourteen by Leo Tolstoy.

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Excerpt: The Sea-Gull by Anton Checkov.

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Excerpt: Chapter 1. In the eastern side of the Dead Sea rose the citadel of Machaerus. It was built upon a conical peak of basalt, and was surrounded by four deep valleys, one on each side, another in front, and the fourth in the rear. At the base of the citadel, crowding against one another, a group of houses stood within the circle of a wall, whose outlines undulated with the unevenness of the soil. A zigzag road, cutting through the rocks, joined the city to the fortress, the walls of which were about one hundred and twenty cubits high, having numerous angles and ornamental towers that stood out like jewels in this crown of stone overhanging an abyss....